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This was in a Vistek ad…some cool tips you may want to use.- v/ \* F5 g: U" P% I
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Digital Black and White+ C4 y/ n9 J- M
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.* b2 W4 l) e5 b/ p) R
Use the shadow and highlights tool in a RAW software program to
# q+ B, g# Z( U% l, K. Qrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
' k! Q3 o$ W( b/ `' G1 pmethods provided by RAW and you'll have a correctly exposed black1 b( n; l5 i3 f$ x! Y
and white image.
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White Balance
8 C% `+ ~% [" ]If in need of a quick white balance tool, you can use a standard
4 R6 C) }4 M. D. t* y* Wwhite coffee filter. Use the custom camera white balance while aiming
: J: T, h# ?, p l5 pthe coffee filter and lens to the opposite of the light source to get white. {0 l7 v) B9 {/ z) ]( z
balance. I always keep coffee filters in my camera bag for4 M2 z9 s( z ~
such occasions.
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8 I+ p Z! F6 X4 C0 IPseudo ISO Boost4 v: q; e& k7 X' r( _) L3 ]; J
If you’re shooting in the dark at a concert venue and need more8 _ M+ z4 @- F, K. \- c
ISO boost from your camera and faster shutter speeds - choose * E. E6 M8 v3 |: f. U9 w# M
the highest ISO setting on your camera and underexpose your image
$ ^8 ~) ]9 L' c2 X4 }9 [6 p- Rby one stop. Then you can use a RAW processor to overexpose the
; F5 y4 D& R& b$ o4 S3 f8 Gimage by one or two stops. Image noise may be higher but this
; u$ E# l$ U" hworks very well for concert, venue and event shooting. |
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