A sporty feel ran through Ferre's show, just as racing stripes of mesh appeared

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"My tagliolini jacket!" Christian Louboutin said backstage to explain the sliced-leather mesh that looked more convincing than a perforated pink patent leather shirt. The same mesh lightness, the key to the collection, was used for christian loubouitn. Subtle coloring included touches of orange or mint green used to good effect as the satin cuffs and ribbing of an evening top. Sitting in judgment front row was Sidney Toledano, CEO of Dior, who has taken responsibility for orga-nizing the house for which LVMH paid so richly.
A sporty feel ran through Ferre's show, just as racing stripes of mesh appeared on sleeves. Navy tailoring, shoegy jeans with watches dangling from the belt, cargo pants and windbreakers had a salty freshness. But everything, from Prince of Wales check suits through houndstooth pants, huge "F" for Ferre logos to the finale of open-work embroidery on white shirts, was on such a grandiose scale that however well executed, the clothes seemed to belong to another gen-eration.
Krizia also stuck to its own rules: that linen is ideal for summer; that neutral colors should be set off with brown sandals or tanned bare feet, and that knits are king. For this season of the stripe,christian louboutin shoes, Krizia worked the lines on sleeves, tor-sos and even as a broken stripe across the house's signature tiger motif.
) k, L$ }; `4 d" X8 m4 QIt seems late in fashion's day for Romeo Gigli to discover youth as graffiti art and street style. But the idea of a col-lege kid cutting loose from tradition translated well as faded heraldic motifs jumbled in faint patterns on cotton jackets. Most kids who want scribbles on their suits will probably do it at home with a felt pen, but Gigli's colors such as bur-gundy and umber are distinctly his own, and the show was a jolly romp in which fine clothes could be picked out from the anarchic presentation.
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