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This was in a Vistek ad…some cool tips you may want to use.( {4 A3 B! \7 j' A. V
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Digital Black and White7 B; I) }5 e6 @! V
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
6 g0 X: s' m6 u* YUse the shadow and highlights tool in a RAW software program to& h6 A% [5 s3 f5 F
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White* ^/ L1 S5 B' Q1 ^ [5 i
methods provided by RAW and you'll have a correctly exposed black; l, R2 d5 u1 I. o
and white image.: N% C5 o* N& P, C8 s# H7 @ ]# v
) R) |! R6 W2 o4 jWhite Balance6 x& e$ Z% R% h$ q
If in need of a quick white balance tool, you can use a standard
; X/ ]- j: U0 gwhite coffee filter. Use the custom camera white balance while aiming5 z; V1 h* d& l0 Z
the coffee filter and lens to the opposite of the light source to get white2 D) r1 ?% ?( w; e' Y3 i7 \
balance. I always keep coffee filters in my camera bag for9 k/ E5 T9 W/ A
such occasions.
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Pseudo ISO Boost
, v! d( U' s& X5 `2 |8 x7 mIf you’re shooting in the dark at a concert venue and need more6 E; y* {- | \0 p3 O) u1 v; k
ISO boost from your camera and faster shutter speeds - choose ' W1 s2 H* L3 A+ L
the highest ISO setting on your camera and underexpose your image
" }2 n5 A, S8 \: X- Lby one stop. Then you can use a RAW processor to overexpose the
/ \" t/ F8 J" Rimage by one or two stops. Image noise may be higher but this' p# ?* s* u- o6 F& ~2 \3 C
works very well for concert, venue and event shooting. |
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