Christian Louboutin was on a tribal vibe

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Color is unequivocally the message from Milan's spring/summer 2010 menswear season. When Calvin Klein, a la-bel once known for its neutral shades, sends out a cool guy in mustard yellow from tank top, through pants to sneakers, you know that color has penetrated the male wardrobe.
"I took my colors from a book on wrestling and from photographs in India -- and I tried to mix them together in a very chic way," said designer Italo Zucchelli who took over from the eponymous Klein last year. The Italian-born de-signer juiced up a quiet palette and his confident collection played with both color and texture. He layered turquoise and green tank tops,christian louboutin shoes, mixed a pink shirt with burgundy pants and made a short raincoat in metallic green. Such "changing" fabrics seem familiar for suits, but they reinforced the message that sheen/shine is a strong trend.
6 V# }' t7 z# f. cThe rich Calvin Klein shades were set against a quieter backcloth: a beige suit with its linear form outlined as if with white tape; or a rubbery black raincoat with similar effects. A plain perforated shirt, worn with beige pants and sneakers, with tongue but no laces. This all showed the attention to detail that is the mantra of post-minimalism in men's design.
* c* U2 y4 ^7 v6 A' Q; x: |9 B" hChristian Louboutin was on a tribal vibe. The Italian leather house, now owned by French luxury conglomerate LVMH Moet Hennessy Louis Vuitton, gave handwork an aerobic stretch. Silvia Venturini Christian Louboutin showed fabrics dappled with animal prints, leather treated to look like turtle and rough-hewn travel christian loubouitn decorated with crests and animal symbols. The designer tried to make cloth resemble animal skin, while leaving the leathers in a primeval state.
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