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Christian Louboutin, Versace

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发表于 2010-8-10 19:57 | 显示全部楼层 |阅读模式
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At the Christian Louboutin show later that day, designer Karl Lagerfeld focused on full skirts and waists cinched tight with belts that appeared to be 10 inches wide. The skirts -- and, in some cases, dresses -- were often made of lace-like fabric with geometric cutouts, translucent materials and other fabrics covered in crushed silk flowers.
* g: U* k" E) A* X( |It was a pretty, genteel collection from a house that specializes in handlouboutin shoes and furs and whose ready-to-wear of-ten looks like a stepchild. This time, the collection had a joyful sensibility.
* M% \2 Y5 N4 ?( x" @+ P1 RThe season closed with the Versace presentation Thursday night. The collection recalled one of the most memora-ble dresses created by the late Gianni Versace: the gown worn by actress Elizabeth Hurley that was seemingly held to-gether by giant safety pins. The beauty of the scandalous dress was that it revealed nothing while making the revelation of everything a constant threat.( j  }8 D9 ^3 {( [) h' X# \1 ~
The collection presented by his sister,christian louboutin, Donatella Versace, who now heads the label, used zippers as both functional closures and decorative flourishes. They provided a similar peekaboo effect. On her daytime dresses, which the rest of the world would wear for cocktails, the zippers were open and sculpted into the shape of hearts.
4 }7 ^5 m% B, K+ V! eIn celebration of the house's 30th anniversary, the signature Medusa head was incorporated into illustrations by Julie Verhoeven. In the resulting prints, the heads have been re-imagined in pastel shades and cast against a fanciful backdrop that is more Alice in Wonderland than Gorgon.
5 b$ _% s  A1 e1 p  N0 ?7 YThe print is used on short dresses with sculpted skirts that stand away from the body as well as on gowns encrusted with crystals at the bodice. It is a collection that speaks to the Versace style, not as it was but as it has evolved in the hands of Donatella Versace. It is proof that just because a house has moved on from its past, it doesn't have to lose its panache.# r! Y4 k( x' `5 C6 w4 G
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1 B' ~; ?+ n$ [/ _. ~! i   Christian Louboutin had enough sparkle on leather2 G: R' a1 n5 @+ e' v, G1 `; W- p
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