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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
1 r; } n' `8 YShoot in RAW and underexpose your image by 1/2 stop to a full stop." |7 C% }# i- v1 @# K: v8 R
Use the shadow and highlights tool in a RAW software program to0 o9 h! b- S! p/ L; l+ X$ d
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White, D4 d8 I* F& o: v4 _
methods provided by RAW and you'll have a correctly exposed black
/ O1 z, F+ j* x% sand white image. ?& a. h& E1 P
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White Balance
. m# o3 H& t* R8 m' [If in need of a quick white balance tool, you can use a standard9 \3 V* ]5 o5 u$ X% x+ x
white coffee filter. Use the custom camera white balance while aiming
- z& z0 C$ S. ythe coffee filter and lens to the opposite of the light source to get white
' Q* V& r) s: e( Ebalance. I always keep coffee filters in my camera bag for5 g' l. q) M! ?$ K- z* }7 h: m8 n3 h
such occasions.
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8 |2 p4 U( \9 u8 DPseudo ISO Boost _' z& N: P! F: d
If you’re shooting in the dark at a concert venue and need more
2 y* ^: N, Y% o7 J8 U4 T* JISO boost from your camera and faster shutter speeds - choose / q4 x) V5 i9 s! D
the highest ISO setting on your camera and underexpose your image
2 ?) L1 J' @5 B: S' B0 y- w1 N4 ^by one stop. Then you can use a RAW processor to overexpose the
, @0 E( D4 S) e% s f qimage by one or two stops. Image noise may be higher but this/ u1 K. m3 a; a' k4 ^' }$ l9 d
works very well for concert, venue and event shooting. |
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